JezebelMusic.com @ The Studio at Webster Hall
May 20, 2010 | Atomic Tom, New Politics
You know those neighborhood bands that rehearse in garages and there’s always that one cool mom who doesn’t mind the noise and just wants them to play music whenever they want? And once in a while she pops her head in with lemonade and cookies and tries to sneak a listen but they aren’t really ready to be heard and they kind of just want to eat their cookies and have her go away until they’re ready to perform? And then suddenly they’ve gone and gotten signed to Universal Republic and have a single out on iTunes and are playing some of the most respected venues in New York City?
That’s the best way I know to describe my relationship with Atomic Tom.
I’ve been following this band for four years, partially because I liked their music when I first heard them, and very much because their bassist, Phil Galitzine, is one of my closest friends. Three years ago going to an Atomic Tom show meant going to support him, not necessarily going for “the show.” That’s all behind me now. For the past year, I’ve watched Atomic Tom transform from a group of guys who really liked playing rock shows to a band that knows how to play rock shows. So when I asked if I could write a review for last night’s headlining set on Webster Hall’s Studio, I didn’t do it for my friends. I did it to see a rock show.
Cut to the last Thursday.