Mick Jagger

August 19, 2009

DAILY NEWS PICKS

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Annual New York Music Film Extravaganza CMJ Announces Initial Line-Up: Atlas Sound, Cymbals Eat Guitars, and The Antlers All Confirmed (Man, I Wish That Was Just One Showcase); CMJ Runs October 20-24 [Brooklyn Vegan]

Black Eyed Peas Set New Record For Most Consecutive Weeks As Number One Single; Music Fans Confused As To Who Exactly Has Been Listening To The Black Eyed Peas [NME]

German Electronic Pioneers Kraftwerk To Release Epic 8-Disc Box Set, With Not So Epic 8-Bit Artwork [Pitchfork]

Michael Jackson’s Doctor And Dermatologist To Be Charged With Manslaughter According To…Err…Fox News? [NME]

Patrick Wolf Apologizes For Stage Freakout; More Importantly, Video Of Freakout Remains Mildly Humorous [Pitchfork]

Stream Danish Shoegazers Mew’s New Album, No More Stories…, (Just a Little) Early; Released August 24 [NME]

Banned And Unflattering 1972 Rolling Stones Documentary Cocksucker Blues Streaming On Internet – See Mick Jagger and Keith Richards Come Off As Assholes BEFORE That Was Obvious Upon Seconds of Exposure! [Prefix]

Southern Rap Pioneers OutKast’s Big Boi Announces New Solo LP, Sir Luscious Leftfoot: Son of Chico Dusty (Uhh..Awesome); Will Be Released “In A Few Months” [The Tripwire]

compiled by Max Sebela

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July 15, 2009

Sky Saxon

HOLY MUSICIAN, BATMAN…

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photo by Mark Berry

I sometimes wonder what a composite of all my favorite musical moments would sound like: bent strings, blue notes, horns squonking at the chorus, vocals cracking at the bridge. I love that instant of shuddering tension, when a song teeters on the edge. I’m talking about that one note that you wait for, that one phrase that curls the toes and makes you screw your face up real tight. Would it be possible to sustain that tension for a whole song? Would you want to? Half the allure is that it’s fleeting, no? I’ve thought about this a lot lately while listening to The Seeds, because on “Can’t Seem To Make You Mine,” Sky Saxon somehow manages to walk that ledge. There is something in his voice that grabs hold of that blue note, man-on-the-brink tension and just keeps holding.

Sky “Sunlight” Saxon was born Richard Marsh on August 20 sometime in the last century – no one can seem to agree on the year – and he died on June 25, 2009. Though we’ll remember him for his work with L.A. garage rockers and psychedelic monsters The Seeds, in his lifetime Saxon fronted more than ten bands. In the early sixties, he made soda jerk doo-wop as the frontman for Richie March and the Hood, and with Sky Saxon and The Soul Rockers he sang pop that was so beach-party and square that he could’ve been the next Freddy “Boom Boom” Cannon. But instead he formed The Seeds, who released their self-titled debut in 1966. Lester Bangs – ever the rain cloud on parade day – said that Saxon sang “moronic” lyrics in a “trashy” imitation of Mick Jagger. The Seeds only ever had one Top 40 hit with “Pushin’ Too Hard,” and the original lineup disbanded within a few short years. But if Saxon never snagged the general public with his nasal wail, he sure tapped into something in those Southern California kids, something bristling beneath that blanket of desert smog. They were on the brink too, ready to plunge into the Day-Glo swamp of psychedelia.
More on Sky Saxon

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