November 20, 2009
Matt Friedberger Vs. People Who Don’t Really Care What He Has To Say
IN THE NEWS
It’s nice to know that sometimes the actions of a fool can spur a response from someone clever. Take for instance, the latest head-fuck from Beck, “Harry Partch,” which is, most likely, a direct response to the inane rantings of Fiery Furnaces’ Matt Friedberger. A few weeks ago, Friedberger started one of the lamest rock feuds by going after Radiohead in a Spinner interview for their song “Harry Patch (in Memory of).” Friedberger, being as ignorant as he is, had misinterpreted the title as Harry Partch (the experimental composer) and lambasted the song as being pretentious even though a) he had never heard the song, and b) it’s about Harry Patch, the last surviving British WWI veteran.
After a million Radiohead fans pointed out the blunder, Friedberger was quick to respond. First with his publicist claiming that Friedberger had thought the interviewer was asking about Harry Partch, not Harry Patch, and then by releasing a statement claiming that he was quite aware that the song was about the last living “Tommy,” and that the whole interview was just harmless “‘riffing,’ or fooling around.” Though it’s possible that Friedberger was just fucking with us, it’s more likely he was being ignorant, especially when opening his release with: “Like most creative musicians, Matt Friedberger is not a fan of Radiohead and most of their chart busters.” He then blamed the media for the misunderstanding, made a Tommy pun, and ended with “Matt would have much preferred to insult Beck but he is too afraid of Scientologists.”
Well, the statement must have reached Beck (presumably via a derelict hippy servant while upon his freak-rock throne) since yesterday the ten minute epic about Harry Partch was released on his website. Described by Beck as a “peregrination across disparate territory to ascertain an unassumed frame of reference,” he either took the project extremely seriously, or has a very wry sense of humor; the quality, however, points to the former. It’s the musical equivalent of Jason Pollock’s throwing shit at a canvas, and with most of the myriad of musical ideas being good ones, it’s surprising digestible – even with the inclusion of Partch’s beloved microtones. Would you play it at your wedding? Not unless you were marrying Yoko Ono or something. But it is some fun, out-there musical shenanigans.
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by Max Sebela














