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Feature Article by Ben
Krieger
30 years ago, the punk movement sprung up in reaction to the bloated
pretensions of stadium acts such as Pink Floyd, Yes, Genesis, and
pretty much any other act that championed larger-than-life showmanship
and musical proficiency. The idea was that anyone—not just the
gods—could pick up a guitar, plug in and play. These days you
can still find countless punk-inspired garage outfits, but the DIY
philosophy they once claimed is no longer theirs; record collections
are getting bigger and more diverse, home studio setups are getting
more affordable and at this point heading out to the garage and plugging
in leads to a sorts of unfathomable genre hybrids. Enter Dynasty Electric:
a studio duo (live trio) that is equal parts New Wave, prog and psychedelic
jazz, firing off catchy little nuggets of sonic experimentation that
shimmer with both technical proficiency and the enthusiastic experimentation
of a child scientist. Finally, all of this is packed into single-length
bursts of sexual energy.
I’m a record geek, and this alone is enough to win me over,
but Jennifer DeVeau and Seth Misterka seem to have a keen sense for
how to seal the devotion of a rock journalist: give him a slice of
pumpkin pie and let him fool around with your Theremin. Within five
minutes I’ve been able to approximate the famous line from “Good
Vibrations” and am ecstatic. We’re hanging out in the
rock couple’s flat, smack dab in the middle of Hasidic Williamsburg.
The room has plenty of good feng shui—jam packed full of amps,
mics, guitars, a sax, computer consoles, cables galore—and all
of it seeming to be frozen in mid session.
Several records will spin during the course of our interview, including
some Sun Ra and the late Syd Barrett’s glorious debut with Pink
Floyd. Listening to Dynasty Electric’s music, both their recent
full-length, Black Box, as well as selections from the follow-up due
out this fall, this background music makes perfect sense. There is
a clear correlation between Sun Ra’s “let’s see
what this button’s for” energy and DE’s material.
At the core of the groups sound is Misterka’s passion for experimental
soundscapes…or as DeVeau jokingly refers to them: “late-night
drug-induced musical fantasies.” Of course, it’s clear
that the inspiration for these songs stems from a source that is much
more spiritual and sexual than chemical. Both band members site Jim
Morrison and the Doors as a major influence and acknowledge that King
Crimson is a name everyone in the group is familiar with. Dynasty
Electric is one of many projects that Misterka has been involved with,
and if there is one key element that focuses his ventures into electronic
psychedelic, it’s New Wave. The simplicity of 80s drum beats
is all over the place and Hall ‘n’ Oates come up as one
of the more unexpected influences in the band’s sound.
“And then we make it sexy,” adds DeVeau. She will often
lay down the steamy vocal melodies and lyrics on top of the musical
beds. Her delivery, as well as Misterka’s sax lines, help bring
this musical libido to the surface and are what separate Dynasty Electric
from many of their explorative peers. The lyrics claim their share
of this energy as well; “ManMachine” ponders how computers
have evolved into tools for expressing carnal desire (“hey baby,
I never knew your circuits were made of flesh and blood / I’m
a smooth operator / I’ll learn your keystrokes”). DeVeau’s
singing turns the temperature up in material such as “Breathless,”
which follows the band through a deceptively intricate ballad that
gradually ascends into a fast-paced orgasmic breakdown during the
final minute.
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Edward Kasparek is the drummer on the recent recordings and live performances.
The core duo met a while back in an East Village Bar. “I was
actually on a date,” says Misterka, “but she was late.”
DeVeau was the bartender serving the lonely male patron, and the two
hit it off. Down the line, they can recall visiting the DeVeau family
and pouring through some old scrapbooks. Misterka hadn’t realized
the extent of his girlfriend’s own musical history “She
was in a Beatles cover band, playing bass,” he exclaims, “they
played in England.” So it wasn’t long before the musical
partnership strengthened as well. This led to a wide range of lineups
ranging from massive (“it ended up sounding really psychedelic,”
to minimalist, (“sometimes we miss the [live] programming.”)
and to a trio format (“we got the itch to have a live band again.”).
Dynasty Electric are travel bugs and love the road. Their adventures
have taken them as far away as Japan and while they don’t plan
too far ahead, Europe and the West Coast are areas they are itching
to get back to. Misterka’s connections have provided a unique
experience in this regard. “There is a greater sense of patronage
among jazz musicians,” he comments, “people help you out.”
And in case you thought that experimental musicians don’t have
a humorous commercial side, Dynasty Electric has an alter ego, the
Sexy
Champions, where they focus some of their more blatantly pop and
commercial ambitions. They have had an opportunity to work with MTV
in this outfit and if all goes well, both of these projects will be
able to support each other via the band’s label, Mysterious
Media.
Dynasty Electric’s insistence on staying true to themselves
and sculpting their own voice from a plethora of influences has paid
off in spades; this is the sexiest group of studio spirits that you
will find in New York City. Not to be missed.
http://www.dynastyelectric.net
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